The President of Leicester Society of Artists has a paintbrush in his hand. Is Lars Tharp aiming to produce an entry for the LSA Annual Show? No: he and his wife, Gillian, are busy redecorating the sitting room of their Leicester home. . .
I caught Lars on one of the rare free days of domestic relaxation he can enjoy: mostly being a free lance lecturer, consultant in ceramics, cultural tourist operator in both the Far East and in Europe, means he spends a good deal of time away from his home town.
Meeting artist potter Mr Liu Liguo, Beijing (BBC: China in Six Easy Pieces)
Most recently he has been in Dresden, conducting a group round the Meissen factory, which, he points out, was the first porcelain factory in Europe, established in 1710. He also spends time in China, Chinese porcelain being his particular area of specialisation, as his many fans among viewers of The Antiques Roadshow will know.
He has been a Roadshow star for 30 years and loves it still. “Early on, I think none of us would have predicted it would still be running – it is now almost 40 years old – but it has become a national treasure.
“People still queue for hours, come rain or shine, and discoveries are still as exciting for us as experts as they are for people who bring us such a huge range of items.‘’
Filming Lars Tharp's discovery of a Ming Plate
Lars is a man of many talents and interests. The author of several books, he is a broadcaster on both radio and TV, and as a museum director has curated several important exhibitions. Among other things he was a Trustee of the Royal Worcester museum and was on the steering committee of York museum’s recently re-opened ceramics collection which is short listed for this year’s Annual Art Fund Museums’ prize, founder President of the Hogarth Group, former vice chairman of the Hogarth Trust, and currently Ambassador for the Foundling Museum.
With a Picasso pot and portrait of Lord Richard Attenborough by Bryan Organ (courtesy: Leicester Arts & Museums Service)
He championed the handing over to the National Trust of Stoneywell, one of several Leicestershire houses designed by Ernest Gimson. He sings with the Bach choir, has an honorary degree from De Montfort University where he spent a year as visiting Professor, and this July receives a D.Litt from the University of Leicester.
Beside the bed of a 'dragon kiln' outside Jingdezhen, Jiangxi Province, China
Born in Copenhagen in 1954, he came to England when he was six years old. At eight he began playing the cello and later turned down an opportunity to have lessons with Paul Tortellier, but played with the Leicestershire Schools Orchestra and the Leicester Symphony Orchestra. When he left Wyggeston School for Gonville and Caius College in Cambridge to study Archaeology, he played cello with the University Orchestra too.
He intended a career in archaeology, “but there were no jobs, so when Sotheby’s interviewed me and offered me a traineeship in Chinese ceramics and works of art, I accepted.’’
He was there for 16 years, ultimately becoming an auctioneer and also a director in 1983. Later he became the Director of the Foundling Museum in London. In 2010 he switched to becoming its Hogarth Curator and still waxes lyrical about the Foundling Hospital, the vision of its creator, Thomas Coram, and of course its connections with his own hero William Hogarth.
In the Foundling Hospital's Court Room, Foundling Hospital, London, with William Hogarth's punch bowl (Courtesy: Museums' Journal)
The Foundling remains a popular subject among his talks and lectures and he is also involved with the making of a film about Coram. “The director already has an Oscar to his name and has asked me to be an executive producer. We aim to launch the film before 2019. I even have a small part in it!"
It was the Hogarth connection which made the Foundling museum his dream job. He explains: “Hogarth was a great supporter of the Foundling Hospital from the outset. He donated and displayed three of his own works there and persuaded his artist friends to do the same. In effect he made it the first public art gallery in London.
With a Chelsea porcelain model of Trump, Hogarth's dog, filming at the Victoria &Albert Museum, London (BBC: One Man and his Pug)
“The thing about Hogarth’s work is that he was self taught and self motivated. He was an artist interested in morals and behaviour who painted a realistic world as he saw it, finding humour even in the darkest places.
“He held up a mirror to the London society of his day and works such as The Harlot’s Progress and The Rake’s Progress show just how ghastly parts of it were and in particular how hazardous for young women and children. Remarkably, he is able to to entertain and interrogate through his work, just as Grayson Perry does today.
“Moreover, through prints of his work he reached a huge audience. He was also responsible for the 1735 Copyright Act, which protected artists from their work being copied.’’
Of Leicester Society of Artists he says: “I was thrilled to be invited to be President. For me, the Annual Show of the Society has always been a treat to look forward to.
Potting with Mr Wang on an inertia wheel, Jingdezhen, China
"I also believe the visual arts have a huge role to play in our everyday lives as well as in society at large. They enable us to experience the world through the eyes of others, whether they are ceramicists, sculptors or painters of landscapes, portraits or abstracts. Thanks to artists both professional and amateur, we can re-enter the world from different angles, and from other points of view.’’
Filming the 'Walsingham Bowl', at Burghley House, Stamford (BBC Treasures of Chinese Porcelain)
Working free lance since 1993 has been successful for Lars. He has bookings into 2018 for his cultural tours and other work outside the UK. In Britain he delivers some 60 lectures a year for the National Trust, NADFAS, universities, museums and galleries plus many prestigious bodies interested in the arts. He continues to be in demand for radio and television shows – he looks set to be making a dozen appearances on the Roadshow over the next year.
Meanwhile back home, his walls are not Yves Klein Blue. “More Lars Tharp yellow,’’ he laughs, reaching for his pot of paint.
Joan Stephens, June 2016
Jim Roberts, Chairman of Trustees, City of Leicester Museums Trust, [left] with painter and LSA Past President Bryan Organ and wife Sandra [centre] at the May 2016 announcement of the Friends having commissioned a portrait of Sir David Attenborough, Michael Attenborough [right]